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The Deserted Village: book cover

The Deserted Village
by Oliver Goldsmith
illustrated by Hammatt Billings

There’s no shortage of information about Oliver Goldsmith, or about The Deserted Village in particular. The only point of dispute is his year of birth: either 1728 or 1730. Suprisingly, nobody has offered to split the difference at 1729. One thing that is known is that Goldsmith entered Trinity College, Dublin, in 1744, and finally managed to graduate five years later. By the 18th century, an age of not-quite-14—he was definitely born in November—would have been awfully young for university. So let’s call it 1728.

The village name, Auburn, is made up, though the circumstances were common enough in real life. But watch for the plot twist: The former inhabitants of the village haven’t all been displaced to foul urban tenements, as the first part of the poem might lead you to believe. They’ve emigrated to America, which is apparently an even worse fate. I don’t know whether Goldsmith really believed there were tigers—crouching ones, no less—in North America, or if that part was poetic license. The illustrator, being American, wisely left them out.

This ebook is based on scans of the Porter and Coates (Philadelphia) edition—undated, but library catalogs put it at 1882. The special feature of this edition is the pictures. Hammatt Billings (1818–1874) was a popular and prolific architect and illustrator whose credits range from the first editions of Uncle Tom’s Cabin and Little Women to the original Boston Museum (really a theatre, because Boston). James O’Gorman, who ought to know, says that the illustrations were done in 1866 for Boston publisher J. E. Tilton. I don’t know whether Porter and Coates bought the rights, or just quietly swiped the pictures.

Technicalia: Two of the three captioned illustrations—originally printed on separate pages—have been shifted to the nearest stanza break. The illustration printed at the bottom of page 45, at the very end of the poem, has been moved to the top of the page. All other illustrations are exactly where they were printed. I didn’t spot any typographical errors.

The Deserted Village.

THE

DESERTED VILLAGE.

BY
OLIVER GOLDSMITH.

WITH ILLUSTRATIONS BY HAMMATT BILLINGS.

publisher’s logo

PHILADELPHIA:
PORTER and COATES.

v

LIST OF ILLUSTRATIONS.

Frontispiece. PAGE
Headpiece, 7
“The hawthorn bush, with seats beneath the shade,
For talking age and whispering lovers made,”
8
“The dancing pair that simply sought renown,
By holding out, to tire each other down,”
9
“The bashful virgin’s sidelong looks of love,
The matron’s glance that would those looks improve,”
10
“Amidst thy bowers the tyrant’s hand is seen,
And desolation saddens all thy green,”
11
“Along thy glades, a solitary guest,
The hollow-sounding bittern guards its nest,”
12
“Here, as I take my solitary rounds,
Amidst thy tangling walks and ruined grounds,”
14
“Around my fire an evening group to draw,
And tell of all I felt, and all I saw,”
16
“Nor surly porter stands in guilty state,
To spurn imploring famine from the gate,”
17
“The swain responsive as the milkmaid sung,” 18
“The playful children just let loose from school,” 19
“To pick her wintry fagot from the thorn,” 20
“There, where a few torn shrubs the place disclose,
The village preacher’s modest mansion rose,”
21
“Shouldered his crutch, and showed how fields were won,” 23
“Beside the bed where parting life was laid,” 24
“Even children followed, with endearing wile,
And plucked his gown, to share the good man’s smile,”
25
vi “The village master taught his little school,” 26
“Well had the boding tremblers learned to trace
The day’s disasters in his morning face,”
27
“While words of learned length and thundering sound
Amazed the gazing rustics ranged around,”
28
“Where village statesmen talked with looks profound,” 29
“Nor the coy maid, half willing to be pressed,
Shall kiss the cup to pass it to the rest,”
31
“But the long pomp, the midnight masquerade,
With all the freaks of wanton wealth arrayed,”
32
“She then shines forth, solicitous to bless,
In all the glaring impotence of dress,”
34
“While, scourged by famine from the smiling land,
The mournful peasant leads his humble band,”
35
“Ah! turn thine eyes
Where the poor houseless shivering female lies,”
37
“When idly first, ambitious of the town,
She left her wheel, and robes of country brown,”
38
“Where crouching tigers wait their hapless prey,
And savage men, more murderous still than they,”
39
“The good old sire the first prepared to go
To new-found worlds, and wept for others’ woe,”
41
“And kissed her thoughtless babes with many a tear,
And clasped them close, in sorrow doubly dear,”
42
“Downward they move, a melancholy band,
Pass from the shore, and darken all the strand,”
44
“Where equinoctial fervors glow,” 45
“As rocks resist the billows and the sky,” 46
7

decoration

Sweet Auburn! loveliest village of the plain,

Where health and plenty cheered the laboring swain,

Where smiling spring its earliest visit paid,

And parting summer’s lingering blooms delayed:

Dear lovely bowers of innocence and ease,

Seats of my youth, when every sport could please!

How often have I loitered o’er thy green,

Where humble happiness endeared each scene!

How often have I paused on every charm,

The sheltered cot, the cultivated farm,

The never-failing brook, the busy mill,

The decent church that topped the neighboring hill,

8

The hawthorn bush, with seats beneath the shade,

For talking age and whispering lovers made!

two young lovers sitting on a bench

How often have I blest the coming day,

When toil remitting lent its turn to play,

9

And all the village train, from labor free,

Led up their sports beneath the spreading tree;

While many a pastime circled in the shade,

The young contending as the old surveyed;

young villagers dancing

And many a gambol frolicked o’er the ground,

And sleights of art and feats of strength went round,

And still, as each repeated pleasure tired,

Succeeding sports the mirthful band inspired;

The dancing pair that simply sought renown,

By holding out, to tire each other down;

10

The swain mistrustless of his smutted face,

While secret laughter tittered round the place;

two older women sitting on a bench, two young men standing in conversation

The bashful virgin’s sidelong looks of love,

The matron’s glance that would those looks reprove:

11

These were thy charms, sweet village! sports like these,

With sweet succession, taught e’en toil to please;

These round thy bowers their cheerful influence shed,

These were thy charms,—but all these charms are fled.

Sweet smiling village, loveliest of the lawn!

Thy sports are fled, and all thy charms withdrawn;

a garden and a broken wall

Amidst thy bowers the tyrant’s hand is seen,

And desolation saddens all thy green:

One only master grasps the whole domain,

And half a tillage stints thy smiling plain;

No more thy grassy brook reflects the day,

12

But, choked with sedges, works its weedy way;

Along thy glades, a solitary guest,

The hollow-sounding bittern guards its nest;

a bird in a swamp

Amidst thy desert walks the lapwing flies,

And tires their echoes with unvaried cries.

Sunk are thy bowers in shapeless ruin all,

And the long grass o’ertops the mouldering wall;

And, trembling, shrinking from the spoiler’s hand,

Far, far away thy children leave the land.

Ill fares the land, to hastening ills a prey,

Where wealth accumulates; and men decay:

13

Princes and lords may flourish, or may fade;

A breath can make them, as a breath has made:

But a bold peasantry, their country’s pride,

When once destroyed, can never be supplied.

A time there was, ere England’s griefs began,

When every rood of ground maintained its man;

For him light Labor spread her wholesome store,

Just gave what life required, but gave no more:

His best companions, innocence and health;

And his best riches, ignorance of wealth.

But times are altered: trade’s unfeeling train

Usurp the land, and dispossess the swain;

Along the lawn, where scattered hamlets rose,

Unwieldy wealth and cumbrous pomp repose,

And every want to opulence allied,

And every pang that folly pays to pride.

Those gentle hours that plenty bade to bloom,

Those calm desires that asked but little room,

Those healthful sports that graced the peaceful scene,

Lived in each look, and brightened all the green,—

These, far departing, seek a kinder shore,

And rural mirth and manners are no more.

14

Sweet Auburn! parent of the blissful hour,

Thy glades forlorn confess the tyrant’s power.

a man with a dog standing by a house gate

Here, as I take my solitary rounds,

Amidst thy tangling walks and ruined grounds,

And, many a year elapsed, return to view

15

Where once the cottage stood, the hawthorn grew,

Remembrance wakes, with all her busy train,

Swells at my breast, and turns the past to pain.

In all my wanderings round this world of care.

In all my griefs—and God has given my share—

I still had hopes my latest hours to crown,

Amidst these humble bowers to lay me down;

To husband out life’s taper at the close,

And keep the flame from wasting by repose;

I still had hopes—for pride attends us still—

Amidst the swains to show my book-learned skill.

Around my fire an evening group to draw,

And tell of all I felt, and all I saw;

And, as a hare, whom hounds and horns pursue,

Pants to the place from whence at first he flew,

I still had hopes, my long vexations past,

Here to return,—and die at home at last.

[16]

a young family inside

“Around my fire an evening group to draw,

And tell of all I felt, and all I saw.”—p. 15.

O blest retirement! friend to life’s decline,

Retreats from care, that never must be mine,

How happy he who crowns in shades like these

A youth of labor with an age of ease;

Who quits a world where strong temptations try,

And, since ’tis hard to combat, learns to fly!

17

For him no wretches, born to work and weep,

Explore the mine, or tempt the dangerous deep;

a poor woman with small children being turned away by a gatekeeper

Nor surly porter stands in guilty state,

To spurn imploring famine from the gate:

18

But on he moves to meet his latter end,

Angels around befriending Virtue’s friend;

Bends to the grave with unperceived decay,

While Resignation gently slopes the way;

And, all his prospects brightening to the last,

His heaven commences ere the world be past.

a milkmaid carrying buckets as a young man looks on

Sweet was the sound, when oft at evening’s close

Up yonder hill the village murmur rose;

There, as I passed with careless steps and slow,

The mingling notes came softened from below;

The swain responsive as the milkmaid sung,

19

The sober herd that lowed to meet their young;

The noisy geese that gabbled o’er the pool,

The playful children just let loose from school;

little boys running out of the schoolhouse

The watch-dog’s voice that bayed the whispering wind,

And the loud laugh that spoke the vacant mind:

These all in sweet confusion sought the shade,

And filled each pause the nightingale had made.

But now the sounds of population fail,

No cheerful murmurs fluctuate in the gale,

No busy steps the grass-grown footway tread,

For all the bloomy flush of life is fled:

All but yon widowed, solitary thing,

That feebly bends beside the plashy spring;

20

She, wretched matron, forced in age, for bread,

To strip the brook with mantling cresses spread,

old woman gathering firewood

To pick her wintry fagot from the thorn,

To seek her nightly shed, and weep till morn;

21

She only left of all the harmless train,

The sad historian of the pensive plain.

Near yonder copse, where once the garden smiled,

And still where many a garden flower grows wild,

There, where a few torn shrubs the place disclose,

the preacher reading a small book in front of his house

The village preacher’s modest mansion rose.

A man he was to all the country dear,

And passing rich with forty pounds a year:

Remote from towns he ran his godly race

Nor e’er had changed, nor wished to change, his place;

22

Unpracticed he to fawn, or seek for power,

By doctrines fashioned to the varying hour;

Far other aims his heart had learned to prize,

More skilled to raise the wretched than to rise.

His house was known to all the vagrant train;

He chid their wanderings, but relieved their pain;

The long-remembered beggar was his guest,

Whose beard descending swept his aged breast;

The ruined spendthrift, now no longer proud,

Claimed kindred there, and had his claims allowed;

The broken soldier, kindly bade to stay,

Sat by his fire, and talked the night away;

Wept o’er his wounds, or, tales of sorrow done,

Shouldered his crutch, and showed how fields were won.

Pleased with his guests, the good man learned to glow,

And quite forgot their vices in their woe:

Careless their merits or their faults to scan,

His pity gave ere charity began.

[23]

man with peg leg and crutch sitting in the preacher’s house

“Shouldered his crutch, and showed how fields were won.”—p. 22.

Thus to relieve the wretched was his pride,

And even his failings leaned to virtue’s side;

But in his duty prompt at every call,

He watched and wept, he prayed and felt for all;

And, as a bird each fond endearment tries

To tempt its new-fledged offspring to the skies,

24

He tried each art, reproved each dull delay,

Allured to brighter worlds, and led the way.

the preacher kneeling at a bedside surrounded by family

Beside the bed where parting life was laid,

And sorrow, guilt, and pain, by turns dismayed,

The reverend champion stood. At his control,

Despair and anguish fled the struggling soul;

Comfort came down the trembling wretch to raise,

And his last faltering accents whispered praise.

At church, with meek and unaffected grace,

His looks adorned the venerable place;

25

Truth from his lips prevailed with double sway,

And fools, who came to scoff, remained to pray.

The service past, around the pious man,

preacher shaking hands at the church door

With steady zeal, each honest rustic ran;

Even children followed, with endearing wile,

26

And plucked his gown, to share the good man’s smile.

His ready smile a parent’s warmth expressed,

Their welfare pleased him, and their cares distressed;

To them his heart, his love, his griefs, were given,

But all his serious thoughts had rest in heaven.

As some tall cliff that lifts its awful form,

Swells from the vale, and midway leaves the storm,

Though round its breast the rolling clouds are spread,

Eternal sunshine settles on its head.

little boys seated at a school desk

Beside yon straggling fence that skirts the way,

With blossomed furze unprofitably gay,

There, in his noisy mansion, skilled to rule,

The village master taught his little school.

A man severe he was, and stern to view;

I knew him well, and every truant knew:

27

the schoolteacher sitting above two boys

Well had the boding tremblers learned to trace

The day’s disasters in his morning face;

Full well they laughed, with counterfeited glee,

At all his jokes, for many a joke had he;

Full well the busy whisper, circling round,

28

Conveyed the dismal tidings when he frowned.

Yet he was kind, or, if severe in aught,

The love he bore to learning was in fault.

The village all declared how much he knew;

’Twas certain he could write, and cipher too;

Lands he could measure, terms and tides presage,

And even the story ran that he could gauge;

a group of men seated outside

In arguing, too, the parson owned his skill,

For even though vanquished he could argue still;

While words of learned length and thundering sound

Amazed the gazing rustics ranged around;

29

And still they gazed, and still the wonder grew,

That one small head could carry all he knew.

men seated around the tavern table

But past is all his fame. The very spot

Where many a time he triumphed, is forgot.

30

Near yonder thorn, that lifts its head on high,

Where once the sign-post caught the passing eye,

Low lies that house where nut-brown draughts inspired,

Where gray-beard mirth and smiling toil retired,

Where village statesmen talked with looks profound,

And news much older than their ale went round.

Imagination fondly stoops to trace

The parlor splendors of that festive place:

The whitewashed wall, the nicely sanded floor,

The varnished clock that clicked behind the door;

The chest contrived a double debt to pay,

A bed by night, a chest of drawers by day;

The pictures placed for ornament and use,

The twelve good rules, the royal game of goose;

The hearth, except when winter chilled the day,

With aspen boughs and flowers and fennel gay;

While broken teacups, wisely kept for show,

Ranged o’er the chimney, glistened in a row.

Vain, transitory splendors! could not all

Reprieve the tottering mansion from its fall?

Obscure it sinks, nor shall it more impart

An hour’s importance to the poor man’s heart;

Thither no more the peasant shall repair

To sweet oblivion of his daily care:

31

No more the farmer’s news, the barber’s tale,

No more the woodman’s ballad shall prevail;

No more the smith his dusky brow shall clear,

Relax his ponderous strength, and lean to hear;

The host himself no longer shall be found

Careful to see the mantling bliss go round;

men talking to the barmaid at a table

Nor the coy maid, half willing to be pressed,

Shall kiss the cup to pass it to the rest.

Yes! let the rich deride, the proud disdain,

These simple blessings of the lowly train:

To me more dear, congenial to my heart,

One native charm, than all the gloss of art:

32

Spontaneous joys, where nature has its play,

The soul adopts, and owns their first-born sway;

Lightly they frolic o’er the vacant mind,

Unenvied, unmolested, unconfined:

group of rich people

But the long pomp, the midnight masquerade,

With all the freaks of wanton wealth arrayed,—

33

In these, ere triflers half their wish obtain,

The toiling pleasure sickens into pain;

And, e’en while fashion’s brightest arts decoy,

The heart, distrusting, asks if this be joy.

Ye friends to truth, ye statesmen, who survey

The rich man’s joys increase, the poor’s decay,

’Tis yours to judge, how wide the limits stand

Between a splendid and a happy land.

Proud swells the tide with loads of freighted ore,

And shouting Folly hails them from her shore;

Hoards e’en beyond the miser’s wish abound,

And rich men flock from all the world around.

Yet count our gains. This wealth is but a name,

That leaves our useful products still the same.

Not so the loss. The man of wealth and pride

Takes up a space that many poor supplied;

Space for his lake, his park’s extended bounds,

Space for his horses, equipage, and hounds:

The robe that wraps his limbs in silken sloth

Has robbed the neighboring fields of half their growth;

His seat, where solitary sports are seen,

Indignant spurns the cottage from the green;

Around the world each needful product flies,

For all the luxuries the world supplies;

34

While thus the laud, adorned for pleasure all,

In barren splendor feebly waits the fall.

rich young man paying suit to rich young woman

As some fair female, unadorned and plain,

Secure to please while youth confirms her reign,

35

Slights every borrowed charm that dress supplies,

Nor shares with art the triumph of her eyes;

But when those charms are past—for charms are frail,—

When time advances, and when lovers fail,

She then shines forth, solicitous to bless,

In all the glaring impotence of dress:

Thus fares the land, by luxury betrayed;

In nature’s simplest charms at first arrayed;

But verging to decline, its splendors rise,

Its vistas strike, its palaces surprise;

mournful processison, with Death hovering overhead

While, scourged by famine from the smiling land,

36

The mournful peasant leads his humble band;

And while he sinks, without one arm to save,

The country blooms—a garden and a grave.

Where then, ah where, shall poverty reside,

To ’scape the pressure of contiguous pride?

If to some common’s fenceless limits strayed,

He drives his flock to pick the scanty blade,

Those fenceless fields the sons of wealth divide,

And even the bare-worn common is denied.

If to the city sped, what waits him there?

To see profusion that he must not share;

To see ten thousand baneful arts combined

To pamper luxury, and thin mankind;

To see those joys the sons of pleasure know

Extorted from his fellow-creature’s woe.

Here while the courtier glitters in brocade,

There the pale artist plies the sickly trade;

Here while the proud their long-drawn pomps display,

There the black gibbet glooms beside the way.

The dome where Pleasure holds her midnight reign,

Here, richly decked, admits the gorgeous train;

Tumultuous grandeur crowds the blazing square,

The rattling chariots clash, the torches glare.

37

Sure scenes like these no troubles e’er annoy!

Sure these denote one universal joy!

sad young woman in a graveyard

Are these thy serious thoughts? Ah! turn thine eyes

Where the poor houseless shivering female lies.

She once, perhaps, in village plenty blest,

38

Has wept at tales of innocence distressed;

Her modest looks the cottage might adorn,

Sweet as the primrose peeps beneath the thorn:

young woman looking out cottage window

Now lost to all, her friends, her virtue fled,

Near her betrayer’s door she lays her head,

And, pinched with cold and shrinking from the shower,

With heavy heart deplores that luckless hour

When idly first, ambitious of the town,

She left her wheel, and robes of country brown.

39

Do thine, sweet Auburn, thine, the loveliest train,

Do thy fair tribes participate her pain?

E’en now, perhaps, by cold and hunger led,

At proud men’s doors they ask a little bread.

Ah, no. To distant climes, a dreary scene,

Where half the convex world intrudes between,

Through torrid tracts with fainting steps they go,

Where wild Altama murmurs to their woe.

two Mohawks peering from behind trees at a group of Europeans

Far different there from all that charmed before,

The various terrors of that horrid shore:

Those blazing suns that dart a downward ray,

And fiercely shed intolerable day;

40

Those matted woods where birds forget to sing,

But silent bats in drowsy clusters cling;

Those pois’nous fields with rank luxuriance crowned,

Where the dark scorpion gathers death around;

Where at each step the stranger fears to wake

The rattling terrors of the vengeful snake;

Where crouching tigers wait their hapless prey,

And savage men, more murderous still than they;

While oft in whirls the mad tornado flies,

Mingling the ravaged landscape with the skies.

Far different these from every former scene,

The cooling brook, the grassy-vested green,

The breezy covert of the warbling grove,

That only sheltered thefts of harmless love.

Good Heaven! What sorrows gloomed that parting day

That called them from their native walks away;

When the poor exiles, every pleasure past,

Hung round the bowers, and fondly looked their last,

And took a long farewell, and wished in vain

For seats like these beyond the western main;

And, shuddering still to face the distant deep,

Returned and wept, and still returned to weep!

41

The good old sire the first prepared to go

To new-found worlds, and wept for others’ woe;

group of emigrants bidding sad farewell

But for himself, in conscious virtue brave,

He only wished for worlds beyond the grave.

42

His lovely daughter, lovelier in her tears,

The fond companion of his helpless years,

Silent went next, neglectful of her charms,

And left a lover’s for a father’s arms.

family group

With louder plaints the mother spoke her woes,

43

And blessed the cot where every pleasure rose;

And kissed her thoughtless babes with many a tear,

And clasped them close, in sorrow doubly dear;

Whilst her fond husband strove to lend relief

In all the silent manliness of grief.

O Luxury! thou cursed by Heaven’s decree,

How ill exchanged are things like these for thee!

How do thy potions, with insidious joy,

Diffuse their pleasures only to destroy!

Kingdoms by thee, to sickly greatness grown,

Boast of a florid vigor not their own.

At every draught more large and large they grow,

A bloated mass of rank unwieldy woe;

Till sapped their strength, and every part unsound,

Down, down they sink, and spread a ruin round.

E’en now the devastation is begun,

And half the business of destruction done;

E’en now, methinks, as pondering here I stand,

I see the rural virtues leave the land.

Down where yon anchoring vessel spreads the sail

That idly waiting flaps with every gale,

Downward they move, a melancholy band,

44

young man watching as long line of people board a boat, with ship in the distance

Pass from the shore, and darken all the strand.

Contented toil, and hospitable care,

And kind connubial tenderness, are there;

And piety with wishes placed above,

And steady loyalty, and faithful love.

And thou, sweet Poetry, thou loveliest maid,

Still first to fly where sensual joys invade;

Unfit, in these degenerate times of shame,

To catch the heart, or strike for honest fame;

Dear charming nymph, neglected and decried,

My shame in crowds, my solitary pride;

Thou source of all my bliss and all my woe,

That found’st me poor at first, and keep’st me so;

Thou guide, by which the nobler arts excel,

45

Thou nurse of every virtue, fare thee well!

marsh grasses

Farewell; and oh! where’er thy voice be tried,

On Torno’s cliffs, or Pambamarca’s side,

Whether where equinoctial fervors glow,

Or winter wraps the polar world in snow,

Still let thy voice, prevailing over time,

Redress the rigors of the inclement clime;

Aid slighted truth with thy persuasive strain;

Teach erring man to spurn the rage of gain;

Teach him, that states of native strength possessed,

Though very poor, may still be very blest;

That trade’s proud empire hastes to swift decay,

As ocean sweeps the labored mole away:

While self-dependent power can time defy,

As rocks resist the billows and the sky.

46

waves beating against cliffs

“As rocks resist the billows and the sky.”—p. 45.

The original of this text has been in the public domain for years
in the U.S. and most other parts of the world.
All I’ve done is put it online.